Calvin Hampton, 1938-1984
My doctoral project at Indiana University was a study of the life and
music of Calvin Hampton titled The Stained-Glass Zimbelstern: An Inquiry
Into the Life and Music of Calvin Hampton (copyright 2001, Jonathan B.
Hall).
This two-part dissertation includes the first complete biography of the
remarkable composer, organist, and transplanted Manhattanite, as well
as a provocative study of his organ works as representations of the
human body.
In a highly unusual move, I was required to have a co-advisor from the
Department of Music Theory. Joining Marilyn Keiser was Robert Hatten,
noted writer and semiotic theoretician. I felt enormously privileged to
have this additional input.
Click here for a wonderful tribute to this book from Professor Hatten.
More recently, I created an extensive revision of the biographical
section, which is titled Calvin Hampton, a Musician Without Borders. This
book is now published and available to the public...not only professional
organists and students of twentieth-century classical music, but those
who love the creative scene of New York City and treasure the
indomitability of the human spirit.
For inquiries about lectures, workshops, articles, recitals, or other events
connected to the life and work of Calvin Hampton, contact Jonathan Hall
directly; his email address is on the front page of this website.